What is exceptional practice for artists working in
communities? Who defines exceptional practice?
How do the aesthetics of a community, and the aesthetics of
a performance style, inform the approaches to art-making, communication,
documentation, and archiving?
Whose voice is it?
When collaborating with non-professionals in the creation of work to be
presented publicly for a general audience, what are the power relationships and
dynamics? What is
"authorship"?
What is the role of art-making in social justice work?
What do we know now that we didn't know before, based on real-time experiences, about these ideas?
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